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home·artworks·Brinio Raised Upon the Shield
Brinio Raised Upon the Shield by Otto van Veen

plate no. 7214

Brinio Raised Upon the Shield

Otto van Veen, 1613

oilMannerism (Late Renaissance)history paintingfigurescrowdlandscapetreesskyarmor
experienced study

Recreating this painting would help students develop skills in figure drawing, composition, and creating depth through atmospheric perspective. It also provides practice in mixing subtle color variations to depict skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background landscape, focusing on creating a sense of depth.

  3. step 03

    Begin painting the figures, starting with the largest and most prominent ones in the foreground.

  4. step 04

    Pay close attention to the anatomy and proportions of the figures, using reference images as needed.

  5. step 05

    Mix a range of skin tones using a limited palette of earth tones, reds, and yellows.

  6. step 06

    Add details to the clothing and armor, using highlights and shadows to create form.

  7. step 07

    Refine the background details, such as the trees and buildings, to create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve skin tones by mixing yellow ochre, burnt umber, and cadmium red with white. Use ultramarine blue and burnt umber to create dark greens and grays for the background.

techniques

  • ·figure drawing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately depict the anatomy and proportions of the figures.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of light and shadow in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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