
plate no. 9664
Lasar Segall, 1925
Recreating this painting will help students understand color blocking and simplified representation of forms. It also provides practice in mixing muted and harmonious color palettes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and composition, focusing on the geometric forms of the buildings and landscape.
Divide the canvas into the major color blocks as defined by the buildings, sky, and hills.
Start with the background, painting the sky and hills with diluted washes of blue and pink.
Block in the larger shapes of the buildings with their respective colors (orange, white, red, brown).
Add details like windows, doors, and figures, using smaller brushes.
Refine the edges of the shapes, ensuring they are clean and distinct.
Add the vegetation details (trees, cactus) using darker shades of green and blue.
Review the overall composition and make any necessary adjustments to color or shape.
color palette
primary · cerulean blue · burnt sienna · titanium white · yellow ochre
secondary · alizarin crimson · sap green · ultramarine blue
Mix muted tones by combining complementary colors (e.g., blue and orange). Use white to lighten colors and create pastel shades. Achieve the greens by mixing blues and yellows with a touch of brown.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylic paints are recommended for their quick drying time and ease of use.
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