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home·artworks·Bodegón Del Pan
Bodegón Del Pan by Maria Blanchard

plate no. 8164

Bodegón Del Pan

Maria Blanchard, 1920

oil, canvasCubismstill lifestill lifetablewarecubismgeometricfood
some experience helpful

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color to define planes and create depth. It also provides practice in color mixing and achieving smooth, blended transitions within defined shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition of the still life, focusing on the geometric forms.

  2. step 02

    Divide the objects into distinct planes and sections, simplifying the forms further.

  3. step 03

    Block in the large areas of color, starting with the darkest values.

  4. step 04

    Mix and apply the mid-tones, carefully blending the edges where necessary to create smooth transitions.

  5. step 05

    Add the highlights and lightest values to define the forms and create contrast.

  6. step 06

    Refine the edges of the shapes, ensuring they are clean and precise.

  7. step 07

    Add any final details, such as the lines in the background or the reflections on the objects.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the colors, values, or shapes.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black · gray

Mix various shades of brown by combining burnt umber with small amounts of blue, red, or yellow. Achieve the blues by mixing ultramarine with white and small amounts of black for darker tones. The grays are made by mixing black and white.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·value gradation
  • ·hard-edge painting
  • ·color mixing

common pitfalls

  • →Overcomplicating the shapes and losing the geometric structure.
  • →Creating muddy colors by overmixing.
  • →Failing to achieve smooth transitions between color planes.
  • →Inaccurate proportions of the objects.
  • →Not paying attention to the value relationships between the different areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Ensure proper ventilation when working with oil paints and solvents.

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oil painting for beginners →how to learn by studying the masters →
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