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home·artworks·Blunden Harbour
Blunden Harbour by Emily Carr

plate no. 4553

Blunden Harbour

Emily Carr, 1930

oilCubismlandscapetotem poleswaterskymountainsboatsfigures
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and understanding atmospheric perspective to create depth in a landscape. It also encourages exploration of color mixing to achieve a range of muted tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the totem poles, buildings, and landscape elements.

  2. step 02

    Block in the main colors for the sky, water, mountains, and totem poles using thin washes.

  3. step 03

    Develop the sky with layers of blended blues, grays, and whites, creating a sense of depth and atmosphere.

  4. step 04

    Add details to the mountains and water, using darker values to create shadows and lighter values to suggest reflections.

  5. step 05

    Refine the shapes and forms of the totem poles, paying attention to the details of the carvings.

  6. step 06

    Add details to the buildings and boats, using a limited palette of grays and browns.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of unity and harmony.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix browns by combining burnt umber with small amounts of blue or yellow. Achieve grays by mixing white with small amounts of black or blue. Use white to lighten and soften colors.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing
  • ·simplification of forms

common pitfalls

  • →overworking the details
  • →using colors that are too bright or saturated
  • →failing to establish a clear focal point
  • →inaccurate proportions of the totem poles

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →how to learn by studying the masters →
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