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home·artworks·Blumenstillleben
Blumenstillleben by Adalbert Schaffer

plate no. 6434

Blumenstillleben

Adalbert Schaffer, 1849

oilAcademicismstill lifeflowersrosesvasestill lifeleavesbox
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and capturing the delicate textures of flower petals. It also provides practice in accurately depicting reflective surfaces and intricate patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, box, and flower arrangement, paying attention to proportions and placement.

  2. step 02

    Establish the background with a dark, muted tone, blending carefully to create a smooth surface.

  3. step 03

    Block in the main colors of the flowers, leaves, vase, and box, focusing on the overall color harmony.

  4. step 04

    Begin to refine the shapes of the flowers, adding highlights and shadows to create form and depth.

  5. step 05

    Develop the details of the vase, including the blue and white pattern, and the reflective surface of the box.

  6. step 06

    Add details to the leaves, including veins and variations in color, to create a sense of realism.

  7. step 07

    Refine the highlights and shadows throughout the painting, paying attention to the direction of light.

  8. step 08

    Add final details, such as the small blue flowers and any subtle color variations, to complete the painting.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium yellow · sap green · violet

Achieve the rose colors by mixing alizarin crimson with titanium white, and adding a touch of ultramarine blue for cooler tones. Mix burnt umber with ultramarine blue and white for the background.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·rendering form

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →failing to establish a strong value structure
  • →not paying attention to the direction of light

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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