apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Blacksmith Munechika, helped by a fox spirit, forging the blade Little Fox
Blacksmith Munechika, helped by a fox spirit, forging the blade Little Fox by Ogata Gekko

plate no. 1347

Blacksmith Munechika, helped by a fox spirit, forging the blade Little Fox

Ogata Gekko, 1873

oilUkiyo-emythological paintingfiguresmythologyblacksmithfox spiritswordfire
some experience helpful

Recreating this painting will help students understand layering techniques for creating depth and how to depict figures with flowing garments. It will also help with understanding atmospheric perspective and simplified backgrounds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions.

  2. step 02

    Block in the background with a diluted grey wash, creating a sense of depth.

  3. step 03

    Apply base colors to the figures: green for the fox spirit's robe, blue for the blacksmith's robe, and brown for the blacksmith's undergarment.

  4. step 04

    Add shading and highlights to the figures' clothing to create volume and form.

  5. step 05

    Paint the details of the blacksmith's forge, including the fire and the sword.

  6. step 06

    Add details to the faces and hair of the figures.

  7. step 07

    Refine the background details, including the figures in the distance and the hanging decorations.

  8. step 08

    Add final touches and adjustments to the colors and values.

color palette

primary · grey · blue · green · red

secondary · brown · white · black

Achieve the muted tones by mixing complementary colors with white. Use thin washes to build up color gradually.

techniques

  • ·flat wash
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Not creating enough contrast in values.
  • →Incorrect proportions of the figures.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper
  • ·Watercolor paints (grey, blue, green, red, brown, white, black)
  • ·Round brushes (various sizes)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paper to prevent buckling. Consider using a limited palette to maintain color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada