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home·artworks·Bildnis eines Mannes der einen Rosenkranz in Händen hält
Bildnis eines Mannes der einen Rosenkranz in Händen hält by Joos van Cleve

plate no. 1891

Bildnis eines Mannes der einen Rosenkranz in Händen hält

Joos van Cleve

oilNorthern Renaissanceportraitportraitmanclothinghatfurrosary
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also offers practice in depicting textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Block in the background with a light blue wash, establishing the overall tone.

  3. step 03

    Establish the main values of the face, using thin layers of paint to build up the skin tones.

  4. step 04

    Paint the dark areas of the clothing and hat, paying attention to the subtle variations in value.

  5. step 05

    Render the fur collar, using short, broken brushstrokes to create the texture.

  6. step 06

    Add the details of the hands and rosary, focusing on accurate proportions and values.

  7. step 07

    Refine the details of the face, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The fur is created by layering browns and blacks with highlights of yellow ochre and white. The background is a mix of white and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering fur
  • ·value studies

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to capture the texture of the fur.
  • →Using too much paint and losing the luminosity of the colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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