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home·artworks·Big Horn Sheep
Big Horn Sheep by Charles M. Russell

plate no. 9630

Big Horn Sheep

Charles M. Russell, 1904

oilRomanticismanimal paintingmountainssheeprocksskyanimals
some experience helpful

Recreating this painting will help students develop skills in rendering realistic animal forms and creating depth through atmospheric perspective. It also provides practice in capturing the texture of rocks and mountains using varied brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, rocks, and sheep, paying attention to their relative sizes and positions.

  2. step 02

    Apply a thin wash of diluted yellow ochre and burnt sienna to the sky and distant mountain, creating a soft, atmospheric background.

  3. step 03

    Begin layering in the rocks, using a mix of burnt umber, raw sienna, and white to create variations in tone and texture.

  4. step 04

    Paint the sheep with a base layer of yellow ochre, gradually adding shadows and highlights with burnt sienna and white.

  5. step 05

    Add details to the sheep, such as the horns, eyes, and fur, using a fine brush.

  6. step 06

    Create the illusion of depth by blurring the details of the distant mountains and rocks.

  7. step 07

    Add final touches, such as small details on the rocks and highlights on the sheep.

  8. step 08

    Allow to dry completely.

color palette

primary · yellow ochre · burnt sienna · burnt umber · titanium white

secondary · raw sienna · payne's gray

Mix yellow ochre and burnt sienna for the base color of the sheep. Use white to lighten tones and burnt umber to darken shadows. Mix Payne's gray with white for the distant mountains.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the background.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying attention to the relative sizes and positions of the elements.
  • →Using too much paint and losing the transparency of the watercolor.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·water container
  • ·palette
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·rigger brush

Use high-quality watercolor paints for best results. Consider using masking fluid to preserve highlights.

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