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home·artworks·Berufung Des Heiligen Matthäus
Berufung Des Heiligen Matthäus by Marinus van Reymerswaele

plate no. 8422

Berufung Des Heiligen Matthäus

Marinus van Reymerswaele

oilNorthern Renaissancereligious paintingfiguresrobesbooksinteriorreligiousportraits
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric folds, and creating a sense of depth through layering and glazing. It also provides practice in mixing realistic skin tones and capturing subtle light variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and objects.

  2. step 02

    Establish the background with thin washes of color, focusing on the overall tonal values.

  3. step 03

    Block in the main shapes of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering colors to build up the form and volume of the figures, starting with the darkest areas.

  5. step 05

    Refine the details of the faces, hands, and clothing, using smaller brushes.

  6. step 06

    Add highlights and subtle color variations to create a sense of realism.

  7. step 07

    Glaze over areas to unify the colors and create a sense of depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · cadmium red

secondary · yellow ochre · titanium white · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Create shadows by adding ivory black or ultramarine blue to the skin tone mixture. Mix the red robe using cadmium red and burnt umber, adjusting the proportions for highlights and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →over-blending
  • →incorrect proportions
  • →muddy colors
  • →neglecting the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Allow each layer to dry before applying the next glaze.

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