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home·artworks·Benjamin Edmonstone (1765–1841)
Benjamin Edmonstone (1765–1841) by John Jackson

plate no. 0885

Benjamin Edmonstone (1765–1841)

John Jackson

oilRococoportraitportraitfiguremanclothingbooksbackground
some experience helpful

Recreating this painting helps develop skills in portraiture, including capturing likeness and rendering realistic skin tones. Students will also practice blending techniques to create smooth transitions and subtle variations in color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of red and brown tones.

  3. step 03

    Block in the main shapes of the figure, including the head, clothing, and hands.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, such as the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, including folds, buttons, and textures.

  7. step 07

    Paint the books in the background, focusing on their shape and color.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the painting.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use ivory black and burnt umber for dark areas of clothing and background. Mix red and brown for the background.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle variations in color and value.
  • →Neglecting the background, which can detract from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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