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home·artworks·Belshazzar's Feast
Belshazzar's Feast by John Martin

plate no. 0409

Belshazzar's Feast

John Martin, 1820

oilRomanticismreligious paintingarchitecturefigurescityscapeskycloudsfeast
advanced study

Recreating this painting will help students develop skills in atmospheric perspective, complex composition, and rendering figures within a large scene. It also provides practice in capturing dramatic lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the major architectural elements and the placement of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main areas of color, starting with the sky and the distant buildings.

  4. step 04

    Begin to develop the architectural details, using a smaller brush to add columns, arches, and other features.

  5. step 05

    Add the figures, starting with the larger groups and then moving on to the smaller details.

  6. step 06

    Refine the lighting and shadows, using glazes and scumbles to create atmospheric effects.

  7. step 07

    Add final details, such as the inscriptions on the wall and the objects on the table.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Achieve the warm, glowing tones by mixing burnt umber with yellow ochre and titanium white. Use ultramarine blue and ivory black to create the dark, stormy sky. Mix small amounts of cadmium red into the browns to create richer, warmer tones.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the sense of atmosphere.
  • →Inaccurate perspective, especially with the architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas will allow for sufficient detail. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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