
plate no. 0409
John Martin, 1820
Recreating this painting will help students develop skills in atmospheric perspective, complex composition, and rendering figures within a large scene. It also provides practice in capturing dramatic lighting and creating a sense of depth.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the major architectural elements and the placement of the figures.
Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.
Block in the main areas of color, starting with the sky and the distant buildings.
Begin to develop the architectural details, using a smaller brush to add columns, arches, and other features.
Add the figures, starting with the larger groups and then moving on to the smaller details.
Refine the lighting and shadows, using glazes and scumbles to create atmospheric effects.
Add final details, such as the inscriptions on the wall and the objects on the table.
Varnish the painting to protect it and enhance the colors.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · ultramarine blue · cadmium red · ivory black
Achieve the warm, glowing tones by mixing burnt umber with yellow ochre and titanium white. Use ultramarine blue and ivory black to create the dark, stormy sky. Mix small amounts of cadmium red into the browns to create richer, warmer tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas will allow for sufficient detail. Consider toning the canvas with a thin wash of burnt umber before starting.
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