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home·artworks·Belfield Farm
Belfield Farm by Charles Willson Peale

plate no. 0511

Belfield Farm

Charles Willson Peale, 1817

oilRococolandscapelandscapetreesfencepathfieldsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as practicing techniques for rendering realistic textures of foliage and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, trees, fence, and path.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending softly.

  3. step 03

    Block in the large shapes of the landscape with broad strokes of green, brown, and yellow.

  4. step 04

    Begin layering colors to create depth and variation in the foliage, using darker tones in the shadows and lighter tones in the highlights.

  5. step 05

    Paint the fence, paying attention to the perspective and the way the light falls on the wooden posts and rails.

  6. step 06

    Add details to the path, including the texture of the dirt and the placement of rocks.

  7. step 07

    Refine the details of the trees, adding branches and leaves with smaller brushes.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · titanium white · yellow ochre · burnt umber · sap green

secondary · ultramarine blue · cadmium yellow · raw sienna

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve earth tones by blending burnt umber, yellow ochre, and titanium white.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the principles of perspective when painting the fence and path.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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