apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Before the Engagement
Before the Engagement by Elizabeth Jane Gardner

plate no. 3267

Before the Engagement

Elizabeth Jane Gardner

canvas, oilAcademicismgenre paintingfiguresgardenbenchfoliageflowersclothing
some experience helpful

Recreating this painting will help students develop skills in figure painting, including rendering skin tones and drapery, as well as creating depth through atmospheric perspective in the background foliage. It also offers practice in capturing realistic textures and light effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and composition.

  2. step 02

    Establish the background with broad strokes, focusing on the overall color harmony and atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, focusing on accurate values.

  4. step 04

    Refine the figures' forms and details, paying attention to anatomical accuracy and facial expressions.

  5. step 05

    Add details to the background foliage and flowers, creating depth and texture.

  6. step 06

    Develop the textures of the clothing, hair, and skin, using layering and blending techniques.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · red ochre · titanium white · ultramarine blue · yellow ochre

secondary · viridian green · alizarin crimson

Mix various shades of skin tones using red ochre, yellow ochre, titanium white, and a touch of ultramarine blue. Achieve the pinkish hues of the dress by mixing alizarin crimson and titanium white.

techniques

  • ·figure drawing
  • ·blending
  • ·glazing
  • ·atmospheric perspective
  • ·drapery

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early.
  • →Failing to create a sense of depth in the background.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Pre-toned canvas can help establish the mid-tones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus