apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bearing of the Cross with St. Veronica
Bearing of the Cross with St. Veronica by Lucas van Leyden

plate no. 1613

Bearing of the Cross with St. Veronica

Lucas van Leyden, 1510

oilNorthern Renaissancereligious paintingfiguresreligious scenecrosslandscapearmortown
experienced study

Recreating this painting will develop skills in rendering complex figures, drapery, and textures, as well as understanding atmospheric perspective and narrative composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch outlining the main figures, cross, and background elements.

  2. step 02

    Establish the overall color scheme with thin washes of color, focusing on the background first.

  3. step 03

    Begin building up the figures, starting with the darkest shadows and gradually adding highlights.

  4. step 04

    Pay close attention to the drapery folds and the way light interacts with the fabric.

  5. step 05

    Render the intricate details of the armor and clothing, using small brushes and precise strokes.

  6. step 06

    Develop the background landscape with atmospheric perspective, making distant elements lighter and less detailed.

  7. step 07

    Add final details such as facial expressions, textures, and small plants.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ivory black · gold

Achieve the muted tones by mixing complementary colors and using white to adjust values. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →overworking details too early
  • →flattening the figures with insufficient shading
  • →inconsistent light source
  • →getting lost in details and losing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley