apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Beach Scene - Morning at Canoe Place
Beach Scene - Morning at Canoe Place by William Merritt Chase

plate no. 1167

Beach Scene - Morning at Canoe Place

William Merritt Chase, 1896

oil, panelImpressionismlandscapebeachwaterfiguresskysandboats
some experience helpful

Recreating this painting will help students develop skills in capturing light and atmosphere using broken color and loose brushstrokes, as well as simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the figures.

  2. step 02

    Block in the large areas of color: sky, water, sand, and distant land.

  3. step 03

    Begin adding details to the sky, using light blues and whites to create a sense of atmosphere.

  4. step 04

    Work on the water, using horizontal strokes of varying blues, greens, and browns to suggest movement and reflections.

  5. step 05

    Develop the sand, using warm yellows and browns, and add texture with short, broken brushstrokes.

  6. step 06

    Paint the figures, simplifying their forms and focusing on capturing the light and shadow on their clothing.

  7. step 07

    Add small details like the bucket and the distant boats.

  8. step 08

    Refine the painting, adjusting colors and values as needed to create a harmonious whole.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow light · alizarin crimson

Mix various shades of blue and green for the water by combining ultramarine blue, yellow ochre, and white. Use burnt umber and yellow ochre to create the sandy tones, and add white to lighten them.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·Impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to simplify the forms and details.
  • →Using colors that are too saturated or intense.
  • →Not paying attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann