apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Beach at Skagen
Beach at Skagen by Peder Severin Kroyer

plate no. 8035

Beach at Skagen

Peder Severin Kroyer, 1903

oilImpressionismgenre paintingbeachfirefigurescrowdnightsky
some experience helpful

This painting is great for learning how to suggest details rather than rendering them precisely, and for capturing the glow of firelight. It also provides practice in painting figures in a crowd.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the fire and the crowd.

  2. step 02

    Block in the main areas of color: sky, beach, and the general tones of the figures.

  3. step 03

    Establish the darks and lights around the fire to create a sense of glow.

  4. step 04

    Add details to the figures, using loose brushstrokes to suggest form and clothing.

  5. step 05

    Refine the colors and values, paying attention to the subtle shifts in tone.

  6. step 06

    Add highlights to indicate the light source and create depth.

  7. step 07

    Soften edges where necessary to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · titanium white

Mix muted oranges and yellows for the firelight. Use a mix of blues and browns for the sky and shadows. Add white to create lighter values.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones of the scene.
  • →Failing to create a strong sense of light and shadow around the fire.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann