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home·artworks·Bataille Dunes
Bataille Dunes by Charles-Philippe Lariviere

plate no. 7972

Bataille Dunes

Charles-Philippe Lariviere, 1837

oilAcademicismhistory paintingbattlehorsesfiguresskysoldierslandscape
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and horses, as well as understanding atmospheric perspective and dynamic composition. It also provides practice in rendering realistic textures and lighting on various materials like metal, fabric, and skin.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, horses, and landscape elements.

  2. step 02

    Establish the overall composition and perspective, paying attention to the placement of the horizon line and focal point.

  3. step 03

    Block in the main color masses, starting with the sky and background, then moving to the figures and horses.

  4. step 04

    Develop the values and lighting, focusing on creating depth and dimension.

  5. step 05

    Refine the details of the figures, horses, and landscape, adding highlights and shadows to create form.

  6. step 06

    Add texture and detail to the materials, such as metal armor, fabric, and skin.

  7. step 07

    Pay attention to the atmospheric perspective, making distant objects appear lighter and less detailed.

  8. step 08

    Make final adjustments to the composition, color, and lighting to achieve a cohesive and dynamic painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use red and yellow ochre to create warm flesh tones, and ultramarine blue to create cool shadows and atmospheric effects.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (18x24 or 24x30) is recommended.

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