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home·artworks·Bataille De Mons En Pévèle
Bataille De Mons En Pévèle by Charles-Philippe Lariviere

plate no. 5463

Bataille De Mons En Pévèle

Charles-Philippe Lariviere, 1840

oilAcademicismhistory paintingbattlehorsesfiguresarmorflagslandscape
advanced study

Recreating this painting will help students develop skills in figure drawing, foreshortening, and creating a sense of depth and movement in a complex composition. Students will also learn how to mix subtle color variations to create realistic skin tones and metallic textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and horses.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start with the background, gradually working towards the foreground to create depth.

  4. step 04

    Focus on the central figure and horse, refining their shapes and details.

  5. step 05

    Add details to the figures and armor, paying attention to light and shadow.

  6. step 06

    Paint the flags and other smaller elements, adding pops of color.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Mix burnt umber and raw sienna with white to create various skin tones. Use ultramarine blue and burnt umber to create shadows and darker tones. Mix cadmium red and yellow ochre for the red and orange hues in the clothing and flags.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Incorrect proportions of figures and horses.
  • →Flat, lifeless colors.
  • →Lack of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, ultramarine blue, cadmium red, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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