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home·artworks·Basque landscape
Basque landscape by Carlos Saenz de Tejada

plate no. 4582

Basque landscape

Carlos Saenz de Tejada

oilImpressionismlandscapelandscapewaterbuildingsfigurestreesreflection
some experience helpful

Recreating this painting will help students develop skills in capturing light and reflections on water using broken color and loose brushwork. It also encourages simplification of forms and creating atmosphere through color temperature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, shoreline, and figures with light pencil lines.

  2. step 02

    Establish the overall warm tone of the painting with a thin wash of orange and yellow.

  3. step 03

    Block in the large areas of color: the water, the buildings, the trees, and the sky.

  4. step 04

    Begin adding details to the buildings, using variations of warm colors to suggest light and shadow.

  5. step 05

    Develop the reflections in the water, mirroring the colors and shapes of the objects above.

  6. step 06

    Use short, broken brushstrokes to create texture and movement in the water and foliage.

  7. step 07

    Add the figures, simplifying their forms and focusing on their placement within the scene.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · sap green · ultramarine blue · cadmium red

Mix various shades of orange and yellow by combining yellow ochre, burnt sienna, and titanium white. Achieve greens by mixing sap green with yellow ochre or ultramarine blue. Use small amounts of cadmium red to create variations in the warm tones.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color temperature
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating mud by overmixing colors on the palette or canvas.
  • →Failing to capture the subtle variations in color and value.
  • →Not simplifying the forms enough and getting bogged down in unnecessary detail.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·burnt sienna
  • ·titanium white
  • ·sap green
  • ·ultramarine blue
  • ·cadmium red
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A medium-textured canvas will help to create a more impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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