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home·artworks·Baron Alexander Stroganov
Baron Alexander Stroganov by Dmitry Levitzky

plate no. 0911

Baron Alexander Stroganov

Dmitry Levitzky

oilRococoportraitportraitfigureclothinghistorical figurehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and details like buttons and lace.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main lines of the clothing.

  2. step 02

    Establish the background color with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main color areas: the skin tones, green coat, red sash, and white collar.

  4. step 04

    Begin refining the skin tones, layering light and shadow to create form. Pay attention to the subtle color variations in the face.

  5. step 05

    Develop the details of the clothing, including the folds and highlights in the coat and sash.

  6. step 06

    Add the details of the hair, buttons, and any other embellishments.

  7. step 07

    Refine the background and adjust the overall values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · viridian green · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Muted greens are created with viridian, yellow ochre, and umber. The red sash requires cadmium red mixed with a touch of umber for depth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the colors too bright or saturated.
  • →Ignoring the subtle shifts in value and color in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, yellow ochre, burnt umber, cadmium red, viridian green, ultramarine blue)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Easel
  • ·Mahl stick

Use a medium-tooth canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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