apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Baile en máscara
Baile en máscara by Luis Paret y Alcazar

plate no. 1673

Baile en máscara

Luis Paret y Alcazar, 1772

oilRococogenre paintingfiguresarchitecturetheaterinteriorchandeliersbalconies
experienced study

Recreating this painting will help students develop skills in depicting complex architectural spaces and rendering figures in a crowd. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, focusing on perspective.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the background architecture with thin washes of color.

  4. step 04

    Start adding details to the balconies and architectural elements.

  5. step 05

    Begin painting the figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Refine the details of the figures and their costumes.

  7. step 07

    Add the chandeliers and other decorative elements.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive composition.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium red light · ivory black

Achieve the muted tones by mixing raw umber and yellow ochre with white. Use small amounts of blue and red to create the variations in the figures' clothing.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering figures

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the colors and losing the atmospheric effect.
  • →Inaccurate proportions of the figures.
  • →Not enough value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a smooth surface to allow for subtle blending. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West