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home·artworks·Autumn
Autumn by Teodor Axentowicz

plate no. 7117

Autumn

Teodor Axentowicz, 1900

oilArt Nouveau (Modern)allegorical paintingfigureleavesautumnallegoryfoliagenude
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, and in creating atmospheric perspective using subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main shapes of the leaves.

  2. step 02

    Establish the background colors, blending warm browns and yellows for the foliage and cooler grays for the sky.

  3. step 03

    Block in the figures' forms with a mid-tone base color, paying attention to the overall proportions.

  4. step 04

    Begin layering in the skin tones, using a limited palette of warm and cool colors to create highlights and shadows.

  5. step 05

    Add the drapery, using thin washes of white and gray to create a sense of transparency and movement.

  6. step 06

    Develop the details of the leaves, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Refine the facial features and add subtle details to the figures' hair and clothing.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue to cool down the browns and create shadows in the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to establish a clear sense of light and shadow.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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