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home·artworks·Autoportretas Nr. 6
Autoportretas Nr. 6 by Sarunas Sauka3

plate no. 0064

Autoportretas Nr. 6

Sarunas Sauka3, 1987

oilSurrealismsymbolic paintingfigureforestjarpicklespathnight sky
experienced study

Recreating this painting would help students develop skills in rendering complex skin tones and creating atmospheric perspective in a nocturnal landscape. It also encourages experimentation with surreal and symbolic imagery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, jar, and path.

  2. step 02

    Block in the main areas of color, establishing the dark background and lighter foreground.

  3. step 03

    Begin layering the skin tones of the figure, using a variety of pinks, browns, and yellows.

  4. step 04

    Develop the details of the forest, using loose brushstrokes to create texture and depth.

  5. step 05

    Paint the jar of pickles, paying attention to the transparency and reflections.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final glazes for depth and unity.

color palette

primary · burnt umber · titanium white · alizarin crimson

secondary · sap green · ultramarine blue · yellow ochre

Mix various shades of brown and green for the forest. Use alizarin crimson and white for the figure's skin tones, adding touches of yellow ochre for warmth. Create the jar's transparency by layering thin washes of green and white.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tone rendering, resulting in a flat or unnatural appearance.
  • →Not capturing the transparency and reflections of the jar.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, titanium white, alizarin crimson, sap green, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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