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home·artworks·Autoportret Z Paletą
Autoportret Z Paletą by Teodor Axentowicz

plate no. 2470

Autoportret Z Paletą

Teodor Axentowicz, 1898

oilArt Nouveau (Modern)self-portraitportraitfigurepalettechairartistself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also offers practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the chair and palette.

  2. step 02

    Establish the background with a thin wash of muted browns and reds.

  3. step 03

    Block in the main shapes of the figure, chair, and palette with broad strokes, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, chair, and palette, adding highlights and shadows to create depth.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere and realism.

  7. step 07

    Add final details, such as highlights in the eyes and subtle textures in the clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall tonality.

color palette

primary · ivory black · raw umber · burnt sienna · yellow ochre

secondary · cadmium yellow light · alizarin crimson · titanium white

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use raw umber and ivory black for the dark tones of the clothing and palette. Muted greens for the chair can be achieved by mixing yellow ochre, ivory black, and a touch of blue.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting to soften edges and blend colors.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, burnt sienna, yellow ochre, titanium white, alizarin crimson)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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