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home·artworks·Auto-retrato
Auto-retrato by Harald Sohlberg

plate no. 9801

Auto-retrato

Harald Sohlberg, 1896

oilNeo-Romanticismself-portraitportraitmanlandscapebuildingtreessky
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a sense of depth through atmospheric perspective. It also encourages careful observation of subtle color variations and tonal values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the face, shoulders, and background elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background and the face.

  3. step 03

    Begin building up the skin tones using layers of yellows, reds, and browns, paying attention to the light and shadow.

  4. step 04

    Define the facial features, such as the eyes, nose, and mouth, with darker values and finer details.

  5. step 05

    Paint the hair and mustache, using short, directional brushstrokes to create texture.

  6. step 06

    Add the scarf and clothing, focusing on the folds and shadows.

  7. step 07

    Refine the background landscape, including the trees, building, and sky.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white · Prussian blue

secondary · cadmium red · viridian green · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, cadmium red, and titanium white. Mix greens for the landscape by combining Prussian blue and yellow ochre. Use white to lighten values and create highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Ignoring subtle color variations in the skin tones.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, titanium white, Prussian blue, cadmium red, viridian green)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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