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home·artworks·Augustin-Joseph Comte de Mailly (1712-1794), Marquis d'Haucourt, Marshal of France
Augustin-Joseph Comte de Mailly (1712-1794), Marquis d'Haucourt, Marshal of France by Jean-Victor Schnetz

plate no. 6154

Augustin-Joseph Comte de Mailly (1712-1794), Marquis d'Haucourt, Marshal of France

Jean-Victor Schnetz

etchingAcademicismportraitportraitfiguremanclothinghistorical figure
some experience helpful

Recreating this portrait will help students develop skills in tonal shading, rendering fine details, and understanding light and shadow to create form. It also provides practice in capturing likeness and portraying textures.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Begin with a light pencil sketch to establish the overall proportions and composition.

  2. step 02

    Outline the main shapes of the figure, including the head, shoulders, and clothing.

  3. step 03

    Start shading the face, focusing on the areas of shadow and highlight to define the facial features.

  4. step 04

    Work on the hair, using short, curved strokes to create the texture and volume.

  5. step 05

    Add details to the clothing, such as the folds, buttons, and embellishments.

  6. step 06

    Develop the background with subtle shading to create depth and contrast.

  7. step 07

    Refine the details and add any final touches to complete the portrait.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix ivory black and titanium white to create various shades of gray for the skin, hair, and clothing. Use raw umber and payne's gray sparingly to add depth and subtle color variations.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·tonal shading
  • ·rendering fine details

common pitfalls

  • →Overworking the details and losing the overall form.
  • →Creating harsh lines instead of smooth transitions between tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·kneaded eraser
  • ·drawing paper (smooth surface)
  • ·blending stumps
  • ·ruler
  • ·pencil sharpener

optional

  • ·tortillon
  • ·sandpaper block
  • ·fixative spray

Use a variety of graphite pencils to create a full range of tones. A smooth drawing paper will allow for easier blending and smoother transitions.

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