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home·artworks·Auguste Regnaud De Saint Jean D'Angély
Auguste Regnaud De Saint Jean D'Angély by Charles-Philippe Lariviere

plate no. 1217

Auguste Regnaud De Saint Jean D'Angély

Charles-Philippe Lariviere, 1860

oilAcademicismportraitportraitfiguremilitarylandscapedrummap
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow, as well as detailed rendering of complex textures and patterns in clothing and objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's proportions and the placement of key elements like the drums, map, and background landscape.

  2. step 02

    Establish the background sky and distant landscape with broad, blended strokes, focusing on atmospheric perspective.

  3. step 03

    Block in the main areas of color for the figure, starting with the skin tones and then moving to the uniform and white trousers.

  4. step 04

    Develop the details of the face, paying close attention to the subtle variations in value and color to create a realistic likeness.

  5. step 05

    Carefully render the intricate details of the uniform, including the gold embroidery, medals, and sash, using fine brushes and precise strokes.

  6. step 06

    Paint the drums and map, focusing on accurate representation of their textures and details.

  7. step 07

    Add the figures in the background, simplifying their forms and colors to maintain the sense of distance.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and visually appealing image.

color palette

primary · ultramarine blue · ivory black · titanium white · cadmium red

secondary · yellow ochre · burnt umber · raw sienna · gold

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the uniform's dark blue by mixing ultramarine blue and black. Use gold paint or mix yellow ochre with a touch of burnt sienna for the metallic details.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Incorrect color mixing, leading to unnatural skin tones or uniform colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (ultramarine blue, ivory black, titanium white, cadmium red, yellow ochre, burnt umber, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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