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home·artworks·Augusta of Saxe-Gotha, Princess of Wales, with Members of Her Family and Household
Augusta of Saxe-Gotha, Princess of Wales, with Members of Her Family and Household by Jean-Baptiste van Loo

plate no. 0890

Augusta of Saxe-Gotha, Princess of Wales, with Members of Her Family and Household

Jean-Baptiste van Loo

oilRococoportraitfiguresportraitfamilyclothinginteriorroyal
advanced study

Recreating this painting would develop skills in portraiture, including accurate rendering of facial features and drapery, as well as understanding complex compositions with multiple figures. Students will also practice color mixing for skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the background and large shapes with thin washes of color.

  3. step 03

    Begin developing the skin tones, paying close attention to highlights and shadows.

  4. step 04

    Work on the clothing, focusing on the folds and textures of the fabrics.

  5. step 05

    Add details to the faces, including eyes, nose, and mouth.

  6. step 06

    Refine the background and add any remaining details.

  7. step 07

    Glaze with thin layers of color to unify the painting.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · gold · alizarin crimson

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Achieve the gold tones by layering yellow ochre and burnt umber, and glazing with a transparent gold.

techniques

  • ·portraiture
  • ·drapery
  • ·glazing
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overworking the details too early in the process.
  • →Muddying the colors by overmixing.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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