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home·artworks·At the well
At the well by Charles Victor Thirion

plate no. 0018

At the well

Charles Victor Thirion, 1873

oil, canvasAcademicismportraitportraitgirlpitcherfoliagewellfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of soft light and shadow. They will also learn to depict textures and details in clothing and objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and pitcher.

  2. step 02

    Establish the background foliage with loose, varied greens.

  3. step 03

    Block in the main shapes of the figure, pitcher, and stone base with thin washes of color.

  4. step 04

    Begin layering skin tones, paying close attention to subtle shifts in value and hue.

  5. step 05

    Develop the details of the clothing, including the texture of the fabric and the folds.

  6. step 06

    Refine the pitcher, capturing its shape, color variations, and highlights.

  7. step 07

    Add final details to the face, including the eyes, lips, and hair.

  8. step 08

    Adjust values and colors throughout the painting to create a harmonious and realistic effect.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red light · viridian · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. Greens are created by mixing yellow ochre, viridian, and a touch of blue or umber for darker shades.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting subtle value shifts in the skin tones.
  • →Getting the proportions of the face wrong.
  • →Overworking details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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