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home·artworks·At the Fountain
At the Fountain by Henri-Pierre Picou

plate no. 0253

At the Fountain

Henri-Pierre Picou, 1880

oilAcademicismnude painting (nu)figurefountainangeltreeswaterlandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, blending skin tones, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering drapery and subtle light effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and fountain.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Begin developing the background, focusing on creating depth and atmosphere.

  4. step 04

    Work on the figures, building up the skin tones with layers of glazes and subtle blending.

  5. step 05

    Define the drapery with attention to folds and highlights.

  6. step 06

    Add details to the fountain and surrounding foliage.

  7. step 07

    Refine the overall lighting and shadows to create a sense of realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and blue to create shadows and depth in the background. Mix red and white for the pink drapery.

techniques

  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a sense of depth in the background.
  • →Inaccurate proportions in the figures.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for blending.

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