apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Assunção da Virgem ladeada de anjos músicos
Assunção da Virgem ladeada de anjos músicos by Gregorio Lopes

plate no. 9736

Assunção da Virgem ladeada de anjos músicos

Gregorio Lopes

oilNorthern Renaissancereligious paintingfigureangelsreligiousskymusichalo
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in depicting complex compositions with multiple figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figure and the surrounding angels, paying attention to proportions and placement.

  2. step 02

    Establish the background sky and the overall light source.

  3. step 03

    Block in the main colors of the Virgin Mary's robe and skin tones.

  4. step 04

    Begin adding details to the faces and hands of the figures.

  5. step 05

    Develop the drapery folds and shadows in the robe, using layering techniques.

  6. step 06

    Paint the musical instruments and other details held by the angels.

  7. step 07

    Refine the background and add highlights to create depth.

  8. step 08

    Add final details and adjust values to achieve a cohesive composition.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · ultramarine blue · burnt sienna · titanium white

Mix various shades of gray and blue for the robe. Use yellow ochre and white for skin tones, adding small amounts of red for warmth. Create atmospheric perspective by lightening and desaturating colors in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh shadows
  • →Lack of atmospheric perspective
  • →Muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley