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home·artworks·Assassination of Henry I, Duke of Guise
Assassination of Henry I, Duke of Guise by Paul Delaroche

plate no. 0302

Assassination of Henry I, Duke of Guise

Paul Delaroche, 1834

oilAcademicismhistory paintingfiguresinteriorhistorical eventarchitecturechandelierdog
experienced study

Recreating this painting would help students develop skills in rendering complex figures in a crowded scene and understanding atmospheric perspective to create depth in an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Begin to refine the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Add details to the clothing and accessories, using small brushes to create texture and patterns.

  6. step 06

    Pay close attention to the lighting, using highlights and shadows to create depth and dimension.

  7. step 07

    Add final details, such as the dog and the chandelier.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown and gray by combining burnt umber, ivory black, and yellow ochre. Use small amounts of cadmium red and ultramarine blue to create subtle variations in color.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate proportions or anatomical details in the figures.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for glazing.

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oil painting for beginners →how to learn by studying the masters →
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