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home·artworks·Around Wall Street or portrait of Pablo in NY
Around Wall Street or portrait of Pablo in NY by Leonora Carrington

plate no. 7592

Around Wall Street or portrait of Pablo in NY

Leonora Carrington, 1973

oilSurrealismgenre paintingfiguresdogsarchitecturecityscapesurrealstreet
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing unique brushwork to achieve a surreal texture. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, dogs, and architectural elements.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted browns and grays.

  3. step 03

    Begin layering in darker values to define the shadows and create depth in the architectural forms and figures.

  4. step 04

    Add the details of the figures and dogs, using small brushes to capture their unique shapes and features.

  5. step 05

    Introduce the pops of color, such as the red scarf and the abstract floral shapes, to create visual interest.

  6. step 06

    Refine the textures and details with dry brushing and scumbling techniques.

  7. step 07

    Add final highlights to enhance the contrast and create a sense of light.

  8. step 08

    Glaze with thin washes to unify the colors and create a cohesive atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · cerulean blue · yellow ochre

Mix browns and grays by combining umber, sienna, and white. Use small amounts of blue and red to create subtle variations in the shadows. The floral shapes are created with diluted washes of blue, yellow, and pink.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing them.
  • →Failing to establish a strong value structure.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·cerulean blue oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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