apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Architectural Form of Future Ideal Landscape
Architectural Form of Future Ideal Landscape by Enrico Prampolini

plate no. 0094

Architectural Form of Future Ideal Landscape

Enrico Prampolini, 1921

oilCubismcityscapecityscapearchitecturebuildingsmountainsgeometric shapesabstract
suitable for beginners

Recreating this painting will help students develop skills in geometric abstraction and color blocking. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and their placement on the canvas.

  2. step 02

    Divide the canvas into distinct areas representing buildings, mountains, and sky.

  3. step 03

    Start by blocking in the largest areas with their respective base colors.

  4. step 04

    Mix and apply the various shades and tones within each area, maintaining clean edges.

  5. step 05

    Pay attention to the color relationships between adjacent shapes.

  6. step 06

    Add details like windows and arches using darker or contrasting colors.

  7. step 07

    Refine the edges of the shapes for a crisp, geometric look.

  8. step 08

    Add final touches and highlights to enhance the depth and form.

color palette

primary · ochre · grey · brown · green

secondary · blue · yellow · orange · red

Mix various shades of browns and greys by combining primary colors with white and black. Achieve the muted blues and greens by mixing primary colors and adding white to soften the intensity.

techniques

  • ·color blocking
  • ·geometric abstraction
  • ·flat color application
  • ·edge control
  • ·color mixing

common pitfalls

  • →Overcomplicating the shapes
  • →Using colors that are too vibrant
  • →Blurring the edges between shapes
  • →Not planning the composition beforehand

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·ruler
  • ·pencil

optional

  • ·easel
  • ·painting medium
  • ·varnish

Using a limited palette will help maintain color harmony. Consider using a matte medium to reduce glare.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger