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home·artworks·Approaching Storm
Approaching Storm by Giuseppe Mazzolini

plate no. 7363

Approaching Storm

Giuseppe Mazzolini

oilAcademicismgenre paintingfigureslandscapestormskyclothingbasket
experienced study

Recreating this painting will help students develop skills in figure painting, including anatomy and drapery, as well as atmospheric perspective and rendering of stormy skies. Students will also learn to create a sense of drama and narrative through composition and lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the landscape.

  2. step 02

    Establish the background with a thin wash of muted colors, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, using simplified forms and values.

  4. step 04

    Develop the details of the faces, hands, and clothing, gradually refining the forms and adding highlights and shadows.

  5. step 05

    Add the details of the landscape, including the trees, rocks, and distant buildings.

  6. step 06

    Create the stormy sky with dynamic brushstrokes and a range of grays and blues.

  7. step 07

    Add the lightning bolts and other atmospheric effects to enhance the drama of the scene.

  8. step 08

    Refine the overall painting, paying attention to the balance of colors, values, and textures.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red · yellow ochre · viridian

Mix various shades of gray by combining white, umber, and blue. Achieve skin tones by blending white, sienna, and a touch of red. Create atmospheric perspective by adding white to distant colors.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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