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home·artworks·Apóstolo São Paulo
Apóstolo São Paulo by Jose Ferraz de Almeida Junior

plate no. 7035

Apóstolo São Paulo

Jose Ferraz de Almeida Junior, 1869

oilAcademicismreligious paintingfigurebeardswordrobeskybuilding
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and facial features, as well as understanding drapery and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and distant landscape.

  3. step 03

    Establish the basic values and colors of the figure's robe and clothing.

  4. step 04

    Begin to refine the facial features, paying attention to the light and shadow on the face.

  5. step 05

    Develop the beard, using layers of color to create texture and depth.

  6. step 06

    Add details to the sword, ensuring accurate proportions and highlights.

  7. step 07

    Refine the background elements, adding details to the building and landscape.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · raw umber · burnt sienna · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the robe's color by blending red with umber and a touch of white for highlights. Mix blues and yellows with white for the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, burnt sienna, cadmium red, titanium white, yellow ochre, ultramarine blue, ivory black)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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