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home·artworks·Antoinette-Elisabeth-Marie Daguesseau
Antoinette-Elisabeth-Marie Daguesseau by Louise Elisabeth Vigee Le Brun

plate no. 8521

Antoinette-Elisabeth-Marie Daguesseau

Louise Elisabeth Vigee Le Brun

oilRococoportraitportraitwomanhatdressflowerslace
some experience helpful

This painting offers practice in rendering realistic skin tones and fabric textures. Students will also learn about color mixing to achieve subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Block in the main color areas: skin, hat, dress, background, and table.

  3. step 03

    Develop the skin tones by layering and blending colors, paying attention to highlights and shadows.

  4. step 04

    Add details to the hat, including the feathers and ribbon, using varying shades of blue.

  5. step 05

    Work on the dress, creating the folds and highlights in the fabric.

  6. step 06

    Paint the lace details on the collar and cuffs, using fine brushstrokes.

  7. step 07

    Add the flowers on the table, paying attention to their colors and shapes.

  8. step 08

    Refine the background and add any final details.

color palette

primary · ultramarine blue · yellow ochre · titanium white · alizarin crimson

secondary · burnt umber · raw sienna · ivory black

Mix skin tones using white, crimson, yellow ochre, and a touch of umber. Achieve the blue of the hat by mixing ultramarine with white and a touch of black for shadows. Create the yellow of the dress with yellow ochre and white, adding sienna for warmth.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·creating soft edges

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Incorrect proportions in the initial sketch.
  • →Failing to create smooth transitions between values.
  • →Getting lost in detail before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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