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home·artworks·Antoine Henri Jomini
Antoine Henri Jomini by Charles Gleyre

plate no. 8714

Antoine Henri Jomini

Charles Gleyre, 1859

oilAcademicismportraitportraitfiguremilitaryuniformframemedal
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as practice in depicting textures like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape of the frame and the overall composition, focusing on proportions.

  2. step 02

    Lightly sketch the figure's head, shoulders, and main features, paying close attention to placement and size.

  3. step 03

    Block in the main color areas: the background, skin tones, uniform, and sash.

  4. step 04

    Begin refining the facial features, focusing on accurate values and subtle color variations.

  5. step 05

    Develop the details of the uniform, including the gold embellishments, medals, and epaulettes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and clothing.

  7. step 07

    Paint the gold frame, paying attention to the light and shadow to create a sense of roundness.

  8. step 08

    Add final details and adjustments to refine the overall composition and ensure accurate representation.

color palette

primary · ivory black · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · titanium white · gold

Mix skin tones using yellow ochre, cadmium red light, and titanium white, adjusting the proportions for highlights and shadows. Achieve the gold color by mixing yellow ochre with a touch of raw umber and a hint of cadmium red light.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·rendering
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or flat skin tones.
  • →Inaccurate rendering of the gold details.
  • →Losing the overall composition while focusing on details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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