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home·artworks·Antigone
Antigone by Frederic Leighton

plate no. 8729

Antigone

Frederic Leighton, 1882

oil, canvasAcademicismmythological paintingfigureportraitclassicaldraperyhairmythology
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering drapery. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying close attention to the angle of the head and shoulders.

  2. step 02

    Establish the background with a thin, even layer of dark brown paint.

  3. step 03

    Block in the main areas of color: skin tones, hair, drapery, and clothing.

  4. step 04

    Begin layering and blending the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Work on the drapery, paying attention to the folds and highlights to create a sense of depth.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth to capture the likeness of the subject.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · ultramarine blue · cadmium yellow

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and ultramarine blue for the dark background and shadows in the drapery. Mix cadmium yellow with a touch of burnt umber for the golden fabric.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to create a sense of depth in the drapery.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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