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home·artworks·Antibes, thunderstorms
Antibes, thunderstorms by Paul Signac

plate no. 7127

Antibes, thunderstorms

Paul Signac, 1919

oil, canvasPointillismlandscapewaterbuildingsskymountainscityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing and applying pointillist brushstrokes to create a cohesive image. It also provides practice in observing subtle color variations in nature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, buildings, and shoreline.

  2. step 02

    Divide the canvas into sections for the sky, mountains, city, and water.

  3. step 03

    Begin with the sky, applying small, individual brushstrokes of varying blues and whites.

  4. step 04

    Move to the mountains, using darker blues and greens, still applying individual strokes.

  5. step 05

    Paint the buildings with whites, yellows, and touches of pink and orange, reflecting light.

  6. step 06

    Create the water with blues, greens, and hints of yellow, varying the stroke direction to suggest movement.

  7. step 07

    Add reflections of the buildings in the water using similar colors and vertical strokes.

  8. step 08

    Refine details and adjust colors as needed to achieve the overall effect.

color palette

primary · ultramarine blue · cerulean blue · titanium white

secondary · yellow ochre · viridian green · cadmium red

Mix blues and white for the sky and mountains, adding small amounts of yellow or red to create subtle variations. Use yellow ochre and red for warm highlights on the buildings. Mix blues and greens for the water, adding white to lighten the tones.

techniques

  • ·pointillism
  • ·broken color
  • ·optical mixing
  • ·color layering
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which will defeat the pointillist effect.
  • →Using strokes that are too large or uniform, resulting in a flat appearance.
  • →Ignoring the subtle color variations within each area of the painting.
  • →Not establishing a clear value structure, leading to a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted oil paints
  • ·small round brushes
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. Small, round brushes are ideal for creating the pointillist effect.

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