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home·artworks·Anthony Knowles
Anthony Knowles by John Russell

plate no. 4667

Anthony Knowles

John Russell, 1801

oilRococoportraitportraitfigureclothingwritingcurtaindesk
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding dramatic lighting and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose, proportions, and key features.

  2. step 02

    Establish the background with dark, muted tones, paying attention to the subtle variations in the curtain.

  3. step 03

    Block in the main areas of the face, using a limited palette of skin tones and focusing on accurate value placement.

  4. step 04

    Refine the facial features, adding details like the eyes, nose, and mouth, and paying close attention to the subtle shifts in color and value.

  5. step 05

    Paint the clothing, using dark colors and highlighting the folds and creases to create a sense of depth.

  6. step 06

    Add the details of the writing desk, including the paper, inkwell, and quill.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating a sense of drama and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium yellow

secondary · burnt sienna · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, yellow, and a touch of red and brown. Darken colors with black or burnt umber, and lighten with white. Use ultramarine blue and burnt sienna to create neutral darks.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·chiaroscuro
  • ·portrait painting

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly saturated or unrealistic skin tones.
  • →Lack of attention to subtle value changes.
  • →Ignoring the effect of light and shadow on the form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

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