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home·artworks·Anna S. Bezobrazova
Anna S. Bezobrazova by Vladimir Borovikovsky

plate no. 4078

Anna S. Bezobrazova

Vladimir Borovikovsky

oilRococoportraitportraitfigureclothinglacebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of muted browns and greens, creating a soft, atmospheric effect.

  3. step 03

    Block in the main areas of color for the face, clothing, and hair, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle gradations of tone to create form.

  5. step 05

    Develop the details of the clothing, including the folds and drapery of the shawl and the texture of the lace.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and clothing.

  7. step 07

    Refine the background, adding subtle details and softening edges to create a sense of depth.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is clear and the painting is balanced.

color palette

primary · titanium white · ivory black · ultramarine blue · burnt umber

secondary · yellow ochre · cadmium red light

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the blue of the shawl by mixing ultramarine with white and a touch of black for darker areas.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·glazing
  • ·value studies

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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