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home·artworks·Anna Passini on the balcony of Palazzo Priuli in Venice
Anna Passini on the balcony of Palazzo Priuli in Venice by Ludwig Passini

plate no. 2376

Anna Passini on the balcony of Palazzo Priuli in Venice

Ludwig Passini, 1866

watercolor, paperAcademicismgenre paintingarchitecturefigurebalconywaterbuildingssky
experienced study

Recreating this painting will help students develop skills in architectural rendering, atmospheric perspective, and capturing the subtle nuances of light and shadow on various surfaces. It also offers practice in painting figures within a detailed environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements, focusing on accurate proportions and perspective.

  2. step 02

    Establish the sky and water with diluted washes, gradually building up color intensity.

  3. step 03

    Block in the basic shapes and colors of the buildings, paying attention to the warm and cool tones.

  4. step 04

    Define the main structure of the balcony and the figure, using a slightly darker value range.

  5. step 05

    Add details to the architectural elements, such as the window frames, columns, and decorative carvings.

  6. step 06

    Refine the figure's form and clothing, adding subtle shadows and highlights.

  7. step 07

    Create reflections in the water, mirroring the colors and shapes of the buildings above.

  8. step 08

    Add final details and highlights to enhance the overall realism and depth.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre · titanium white

secondary · raw umber · cadmium red light · viridian

Achieve the warm brick tones by mixing burnt sienna with cadmium red light and a touch of yellow ochre. Create atmospheric blues by diluting ultramarine with water. Mix greens for the shutters with yellow ochre and viridian.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering architectural details
  • ·figure painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate perspective in the architectural elements.
  • →Muddying the colors by overmixing.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·masking fluid
  • ·kneaded eraser

optional

  • ·ruler
  • ·watercolor pencils
  • ·spray bottle

Use high-quality watercolor paints for best results. Consider using masking fluid to preserve highlights in the architectural details.

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watercolor techniques →how to learn by studying the masters →
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