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home·artworks·Angel's head
Angel's head by Martin Schongauer

plate no. 6602

Angel's head

Martin Schongauer

oilNorthern Renaissanceportraitportraitfigurehairfaceclothing
some experience helpful

Recreating this drawing will help students develop skills in cross-hatching, rendering form with line, and capturing likeness in portraiture. It also provides practice in depicting complex textures like curly hair.

technical profile

palette complexity
1
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall head shape and proportions.

  2. step 02

    Establish the basic contours of the face, hair, and clothing.

  3. step 03

    Start adding the darkest areas with cross-hatching, focusing on areas of shadow.

  4. step 04

    Gradually build up the mid-tones with lighter cross-hatching.

  5. step 05

    Define the individual curls of the hair, paying attention to their direction and volume.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the lines and values to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the drawing.

color palette

primary · black · white

secondary ·

This is a monochrome drawing, so the focus is on creating different shades of gray using line density and cross-hatching.

techniques

  • ·Cross-hatching
  • ·Line weight variation
  • ·Rendering form with line
  • ·Creating texture with line
  • ·Contour drawing

common pitfalls

  • →Making the lines too uniform and lacking variation.
  • →Not paying attention to the direction and flow of the lines.
  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to capture the likeness of the subject.

materials

surface · Smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Drawing paper
  • ·Pencil sharpener
  • ·Ruler

optional

  • ·Kneaded eraser
  • ·Blending stump
  • ·Tracing paper

Use a variety of pencil grades to achieve different values. Start with lighter grades for the initial sketch and darker grades for the shadows.

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