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home·artworks·Ang Magbabayo (Pounding Rice)
Ang Magbabayo (Pounding Rice) by Vicente Manansala

plate no. 5812

Ang Magbabayo (Pounding Rice)

Vicente Manansala, 1979

oilCubismgenre paintingfiguresricemortarpestlerural scenetraditional clothing
some experience helpful

Recreating this painting will help students understand color mixing for skin tones and practice applying cubist principles to break down forms into geometric shapes. It also provides an opportunity to study light and shadow within a limited color palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the mortar.

  2. step 02

    Divide the canvas into geometric shapes, following the cubist style of the painting.

  3. step 03

    Block in the main colors for each shape, starting with the background.

  4. step 04

    Mix skin tones using a limited palette of yellows, oranges, browns, and whites.

  5. step 05

    Apply layers of paint to build up depth and dimension within each shape.

  6. step 06

    Add details to the figures, such as the clothing and facial features.

  7. step 07

    Refine the edges of the shapes and blend colors where necessary.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · viridian green · ultramarine blue · raw umber

Mix skin tones by blending yellow ochre, burnt sienna, and white. Use small amounts of blue or green to create cooler shadows. Mix greens by combining yellow ochre and viridian green.

techniques

  • ·color mixing
  • ·geometric abstraction
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Losing the geometric structure of the composition.
  • →Using too many colors, which can create a chaotic effect.
  • →Ignoring the light and shadow, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or paint thinner

optional

  • ·medium gloss
  • ·easel
  • ·rags

Consider using a toned canvas to start with a mid-value ground. Acrylics are more beginner friendly.

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oil painting for beginners →how to learn by studying the masters →
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