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home·artworks·An Unfinished Portrait of Mrs Soane, Painted from a Pencil Sketch by J. Flaxman, RA and a Miniature
An Unfinished Portrait of Mrs Soane, Painted from a Pencil Sketch by J. Flaxman, RA and a Miniature by John Jackson

plate no. 6743

An Unfinished Portrait of Mrs Soane, Painted from a Pencil Sketch by J. Flaxman, RA and a Miniature

John Jackson, 1831

oilRococoportraitportraitfiguredogcolumndraperysky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose brushwork and creating soft transitions.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, dog, and background elements.

  2. step 02

    Establish the main light and shadow areas using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the local colors of the skin, clothing, drapery, and background, focusing on accurate color relationships.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing and drapery, using loose brushstrokes to suggest texture and form.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the dog, capturing its unique features and personality.

  8. step 08

    Make final adjustments to the composition, color, and value to create a harmonious and balanced painting.

color palette

primary · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of white with small amounts of other colors to achieve the subtle skin tones. Use raw umber and ultramarine blue to create the muted greens and grays in the background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of accurate value relationships.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the loose brushwork.

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oil painting for beginners →how to learn by studying the masters →
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