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home·artworks·An Old Woman (The Ugly Duchess)
An Old Woman (The Ugly Duchess) by Quentin Matsys

plate no. 0239

An Old Woman (The Ugly Duchess)

Quentin Matsys, 1513

oilNorthern Renaissanceportraitportraitold womanfigureclothingheaddresshands
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and textures, as well as rendering complex fabrics and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure and background.

  2. step 02

    Establish the background color with a thin wash of green, allowing for variations in tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and headdress, focusing on accurate color matching.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to the subtle variations in light and shadow to create depth and realism.

  5. step 05

    Develop the details of the clothing, including the folds, ruffles, and patterns of the headdress.

  6. step 06

    Add highlights and shadows to the jewelry and other accessories to create a sense of realism.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the character's expression.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced and harmonious.

color palette

primary · flesh tones (various mixtures) · green · white · black

secondary · red · blue · gold · brown

Achieve realistic skin tones by mixing various shades of red, yellow, brown, and white. Use glazes to create depth and luminosity in the skin and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle variations in color and value, leading to a lack of depth and realism.
  • →Getting lost in the details too early, before establishing the overall composition and color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (various colors)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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