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home·artworks·An extensive landscape near Paris
An extensive landscape near Paris by Hubert Robert

plate no. 9920

An extensive landscape near Paris

Hubert Robert, 1781

oilRococolandscapelandscapefigurestreesskyhillsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and major elements.

  2. step 02

    Establish the sky with broad washes of light blue and gray, blending the colors to create cloud formations.

  3. step 03

    Block in the distant landscape with muted greens and blues, using lighter values to suggest atmospheric perspective.

  4. step 04

    Paint the middle ground with more saturated greens and browns, adding details to the trees and buildings.

  5. step 05

    Develop the foreground with darker values and more defined brushstrokes, focusing on the figures and foliage.

  6. step 06

    Add highlights to the trees, figures, and buildings to create a sense of light and shadow.

  7. step 07

    Refine the details of the figures and foliage, paying attention to the textures and forms.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious composition.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow light · ivory black

Mix greens by blending yellow ochre and ultramarine blue. Create atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Creating too much contrast in the foreground.
  • →Failing to establish a clear focal point.
  • →Not accurately capturing the values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

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