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home·artworks·An Early Stroll in the Park
An Early Stroll in the Park by William Merritt Chase

plate no. 3141

An Early Stroll in the Park

William Merritt Chase, 1890

oil, canvasImpressionismgenre paintingparkfountainfiguretreesarchitecturesky
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering light and shadow on various surfaces. It also provides practice in painting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the fountain, the woman, the architecture, and the tree line.

  2. step 02

    Establish the basic color blocks for the sky, trees, and ground, focusing on the overall value structure.

  3. step 03

    Develop the fountain's details, paying attention to the light and shadow on its surface and the water.

  4. step 04

    Paint the figure, focusing on the folds of the dress and the subtle variations in color.

  5. step 05

    Add details to the architecture, including the arches and the steps.

  6. step 06

    Refine the foliage, using broken brushstrokes to create texture and depth.

  7. step 07

    Add the small details like the flowers and the leaves on the ground.

  8. step 08

    Adjust the overall color balance and value relationships to create a sense of harmony.

color palette

primary · titanium white · yellow ochre · raw umber · viridian

secondary · cadmium red · ultramarine blue · burnt sienna

Mix various shades of green by combining viridian with yellow ochre and raw umber. Achieve the warm tones of the ground and architecture by mixing yellow ochre, raw umber, and a touch of cadmium red.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the atmospheric perspective, causing the background to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·viridian oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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