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home·artworks·An Afternoon Rest
An Afternoon Rest by Guillaume Seignac

plate no. 2471

An Afternoon Rest

Guillaume Seignac

oilAcademicismnude painting (nu)figurelandscapetreesflowersbenchsky
experienced study

Recreating this painting will help students develop skills in figure drawing, blending techniques for skin tones, and creating atmospheric perspective in landscapes. It also provides practice in rendering drapery and floral details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements like the bench and landscape.

  2. step 02

    Establish the background landscape with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, focusing on proportions and anatomical accuracy.

  4. step 04

    Begin layering skin tones, using subtle gradations of color to create form and volume.

  5. step 05

    Paint the drapery, paying attention to the way it folds and drapes over the figure.

  6. step 06

    Add details to the bench and surrounding foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the figure's features and add highlights to create a sense of realism.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall effect.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · ultramarine blue · viridian green · purple

Achieve skin tones by mixing white, yellow ochre, burnt umber, and alizarin crimson. Use ultramarine blue and burnt umber to create muted greens for the foliage. Mix alizarin crimson and ultramarine blue for the purple drapery.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figure
  • →Muddy skin tones
  • →Overly harsh blending
  • →Ignoring atmospheric perspective
  • →Lack of attention to detail in the drapery and foliage

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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